In the musical sections, divisions are marked with calligraphic initials including cadels. Smaller divisions throughout are marked by lombard initials in blue and red. Folios 1r, 6v and 64r also include large initials containing coats of arms. 246v: at each upper corner, a man in a short furred gown, blowing a bent horn, from which a banner with arms. There is one border with representations, on f.
All Saints: showing Mary in Heaven, between Christ with wounds and God the Father saints below. Feast of Relics: bishop blessing dish with bones.į. John the Baptist, pointing at book and Agnus Dei.į. Presentation at the Temple/Purification.į. Psalm 109, Trinity as Three Persons Christ with wounds and cross hung with crown of thorns God the Father with red ord.į. Psalm 97, three clerics at lectern, with noted bookį. Psalm 80, two-compartment, below: group of people looking upwards above: half-figure of God the Father with orb, blessing.į. Psalm 52, fool standing in landscape, with green (?) sword and club.į. Psalm 38, King seated on bench, with blank scroll.į. Psalm 1, King David standing under canopy, with scroll (erased?), before prie-dieu.į. (Corpus Christi) procession with monstrance.į. Crucifix-Trinity, with God blessing (no dove).į. Resurrection, with Christ displaying wounds.į. Nativity of Christ, with woman holding Child, and Joseph, with ?club.į. The volume contains 23 historiated initials (letters in which pictures of scenes or figures have been drawn), as follows:į. Descriptions below are taken from Kathleen L Scott, Later Gothic Manuscripts 1390-1490 (London, 1996), 204-206. The Antiphonal is richly illuminated by several different artists. References to shrines and dates including 'owr lady on see at sent matheu day next mych' Anthony Trinity of Walsoken Burton Lazars Robert of Knaresbrough Our Lady of Bedlam Jesus of London Cornelius of Westminster Wilfred Thomas of Canterbury 'The frater clarke' 'Item for an abbey in contrey of napus distroied by ye turkes, no date Friars of Colchester Proctor of St Wifred of Ripon. Fifteen memoranda, written in English in several hands in the first half of the 16th century. This entry was added in the 15th century.į. Sanctorale, from St Andrew to Saints Saturninus and Sisinus. Settings of music for the hymns 'Iam lucis orto', 'Ihesu christe fili dei vivi', 'Nunc sancte nobis', 'Rector potens verax deus', and 'Rerum deus tenax vigor'.įf. These entries were added in the 15th or 16th centuries.įf. Variations on the Gregorian eight tones (plainchant melodies). Litany of Saints for weekdays in Lent.įf. Ferial canticles, followed by Benedictus, Magnificat, Nunc dimittis.įf. The dedication of Wollaton church (13 May) has been added, along with thirteen obits, mainly of rectors of Wollaton, including William Husse (17 September 1460), and members of the Willoughby family between 14.įf. 206v originally blank, note in Latin added in the 15th century recording the purchase of the book by the executors of William Husse, rector of Wollaton, and its presentation to the church.įf. There is no folio 83, the folios in this part of the service for Septuagesima having been mis-numbered from folio 82 straight to folio 84.įf. The office was prohibited on the orders of King Henry VIII in 1538. The beginning of this office, on folio 52v, has been crossed out. Two folios are missing: folios 53-54 originally contained the office of St Thomas Becket of Canterbury (29 December) but have been cut out. Includes 6 historiated initials, and 3 initials containing shields. Temporale, Advent to the 25th Sunday after Trinity. Piper, Medieval Manuscripts in British Libraries, vol IV (Oxford, 1992):įf. The Antiphonal measures approximately 575 x 366mm, and is made of over 400 vellum sheets.
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